Friday, December 6, 2013

TSL Chapter 23 -- Historical Jesus: A Crank Vending a Panacea

Summary

Screwtape is back to fine form, with more Uncle-ly advise for Young Wormwood. Having been forced to accept the presence of a good, Christian woman in The Patient's life, Wormwood will have deal with encroaching spirituality and corrupt it.

This isn't a bad thing, Uncle Screwtape points out -- a spoiled saint is better sport in Hell than a common tyrant or debauchee.

Screwtape suggests politics. He's quick to point out that you don't really want people informing their politics with a Christian viewpoint, but rather that by bringing politics in, you can frame Christianity as being a means to political ends.

He discusses the 'historical Jesus' which is inevitability a corruption and reduction of the actual Jesus -- a new view of Jesus seen through some modern political lens. The distorted Jesus will inevitability  reduce Jesus's role to that of secular teacher and will otherwise destroy a devotional life founded on accepting Jesus as a living God.

My Own Historical Jesus

There's certainly no shortage of historical Jesuses which attempt examine Jesus outside of any supernatural context. I am no historian, and cannot comment much on these (I also am not nearly well-read enough to engage them on any level) but my ignorant layman's understanding suggests that there is ample evidence from non-related sources that Jesus existed, called disciples, and was crucified.

That doesn't suggest a lot of non-biblical material to go on, so my conclusion is that CSL is probably dead on in advising us to beware of anyone offering a 'historical' Jesus that varies in any significant way from the Biblical account.

Lewis also flirts with his more famous quote from Mere Christianity about anyone who presents Jesus as a 'great moral teacher' as completely missing the point. After his title drop of Mere Christianity earlier in the book, this one feels like a warm up for MC.

Church & State

I was a bit disappointed that he didn't get more into the pitfalls of politics. Screwtape 'warns' that politics can subvert Christianity by making it a means to an end instead of an end, itself, but beyond that he's more on about Historical Jesus than he is about how a Christian should engage in politics.

My sense is that engaging with politics is a hugely dangerous area -- perhaps more so here and now, in America, than it was in WWII-era England. Where is CSL when we really need him.

The services I attend are bible-focused and while I don't feel that politics and current events are in any way avoided, they are only invoked where they are directly relevant and that is rare (exceptions would be current events -- often disaster situations where aid is needed and local political issues around right-to-worship in public spaces).

Where I have heard political commentary, it's come from members of the congregation, and it's often expressed a sense of persecution, marginalization, and victimization at the hands of a liberal, secular society.

I admit I'm fascinated: these people do not come off as marginalized or oppressed. While I do not know the intimate details of their lives, they appear to have great material comforts and financial security. They are professionally successful and respected in their fields.  Many of them have advanced education. I don't know if they have medical insurance but they don't strike me as people without adequate health care. They seem to have the discretion to take care of personal business, to travel, and otherwise to live fulfilling, privileged lives.

So what's going on here?

I can't be sure, and my assessment is admittedly uninformed, but my instincts tell me that there's some un-healthy mixing of politics and religion going on and I think that people are doing just what CSL warns about, but not exactly the way he does. I think they're imagining God cares about things they see as important cultural signifiers (The 2nd Amendment), and mistaking their personal political focus for a divine agenda.

Perhaps Lewis will touch on this in a future chapter.


TSL Chapter 22 -- So! Your Man is in Love

Summary

In a rambling, nearly incoherent letter, Screwtape addresses a number of revolting developments
  1. The Patient has fallen in love with a good, Christian woman whom The Devil(s) despises
  2. Wormwood has committed some kind of treachery -- informing on Screwtape's heresy to the infernal authorities
  3. The Christian woman's household which is full of love, and therefore abhorrent and incomprehensible to the demonic
  4. How unfair the world is to demons
It ends with Screwtape turning into a giant centipede and his letter being completed and signed off on by his secretary, Toadpipe.

Literary Analysis

In a radical departure from most of the book, this chapter is almost entirely literary -- there's not much real theology and virtually no anti-sermon.

Instead, this chapter serves to introduce a conflict -- a good Christian woman who will be a bad (good) influence on Wormwood's patient.

This conflict allows CSL to introduce a variety of new topics deal with the Christian life (e.g. Spiritual Pride) over the next several chapters. It also allows him to reveal more about the characters, their conflicts and their natures.

The Girl

Who is this fearsome woman who throws the best-laid plans of demons into chaos? Like all humans, she doesn't get a name, but we do get Screwtape's description of her:

Demure, monosyllabic, mouse-like, watery, insignificant, virginal, bread-and-butter miss.
Monosyllabic?

The Secret Police

Apparently some of Screwtape's letters found their way to Hell's Secret Police, and Wormwood was responsible. Screwtape assures his Nephew that the matter has been settled ("tidied over"), and then provides him with what is evidently an illustrated torture manual about a House of Correction for Incompetent Tempters.

The letter doesn't make it clear exactly what happened? Did Nephew Wormwood turn over Screwtape's letters in an attempt to get Screwtape whacked? If so, why? And why, after this betrayal is Screwtape still happy to help him?

This chapter doesn't answer any of those questions, unfortunately, but it does suggests hidden depths to their relationship which I trust will be explored later,

Metamorphosis 

Screwtape's fury at Worms turns him into a centipede and he then claims it's not a punishment from God, but a signifier of his interior vital life essence of something. Funny! (it's a Milton reference, which Screwtape, himself credits explicitly)

Noise v. Music & Silence

One last thing I noted was the contrast of Heavy and Hell on an audible level. George MacDonald writes of Heaven, 
"...the regions where there is only life, and therefore all that is not music is silence."
Going where MacDonald didn't, Lewis amplifies this by noting that Hell abides neither music nor silence, but instead fills every available space with noise.

Cool.